It was the beginning of modern western theatre, and some ancient Greek plays are still performed today. An architrave with triglyphs and metopes crowned the colonnade. [16] An actor could appear and reappear in different roles, since the audience did not identify the actor with one character. Theater comes from a Greek word for viewing (the ceremonies). The chorus made up for the fact that there were only one, two or three actors, who played several parts each (changing masks). The curve followed the shape of the orchestra, so where the orchestra was rectangular, as the first may have been, the seats facing the front would be rectilinear as well, with curves to the side. This license lets others remix, tweak, and build upon this content non-commercially, as long as they credit the author and license their new creations under the identical terms. The monument is architecturally unique, due to the fact that the orchestra, cavea and staircases are drawn from three different centres, and also thanks to its excellent acoustics. In the 3rd c. AD mosaic flooring with geometric patterns replaced the wooden floor at the ends of the stage. It was divided in two Diazoma, the upper and the lower. After the Great Destruction of Athens by the Persian Empire in 480 BC,[9] the town and acropolis were rebuilt, and theatre became an even more major part of Athenian culture and civic pride. Worn by the chorus, the masks created a sense of unity and uniformity, while representing a multi-voiced persona or single organism and simultaneously encouraged interdependency and a heightened sensitivity between each individual of the group. Criterion (vi): It was in Greek theatres that the great plays of antiquity were first performed, including the tragedies of Aeschylus, Sophocles and Euripides and the comedies of Aristophanes, unsurpassed literary masterpieces that have influenced dramatic production worldwide and continue to inspire the world of the theatre to this day. It is one of the typical things they did in classical Greek theatre. Most of the remains preserved today belong to the monumental structuring of the theatre by the archon of Athens Lycourgos, in the second half of the 4th c. BC.

By Thespis' time, the dithyramb had evolved far away from its cult roots. One of the main writers of comedy plays in ancient Greece was Euripides. Finally, during the fourth building phase, the theatre was turned into an arena. The second phase of the show was the agon which was often a witty verbal contest or debate between the principal actors with fantastical plot elements and the fast changing of scenes which may have included some improvisation. The Ancient Theatre of Philippi in Northern Eastern Greece.
Today only the rock-cut parts of the theatre are preserved: the circular orchestra, the three central cunei of the upper cavea together with parts of the two cunei on either side, and the central section of the upper cavea. In many cases the play was actually named after the Chorus, e.g., Aristophanes' The Wasps. Three staircases led from the stage building to the logeion. It is telling that the ancient traveller Pausanias regards the theatre as one of the basic urban features of a Greek city, along with the agora, the gymnasium and the public administrative buildings, and an important element in recognising cities in the East as being Greek (Phocis, X 4.1.). Just behind the paraskenia was the proskenion ("in front of the scene"), which is similar to the modern day proscenium. At first the spectators were sitting around the orchestra. The theatre of Delos was built by the Delians with money from the treasury of the Temple of Apollo, using marble from a neighbouring quarry and local stone, and also marble imported from the islands of Paros and Tinos.
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Bahn and Bahn write, "To Greeks the spoken word was a living thing and infinitely preferable to the dead symbols of a written language." At the centre is preserved the base of the thymele, the altar of Dionysos. He described his work as ‘morsels from the feast of Homer’ (Burn 206). The earliest orchestras were made of very hard earth but eventually, as the theater evolved, the orchestra was paved with marble or other flooring. The precise origins of Greek comedy plays are lost in the mists of prehistory, but the activity of men dressing as and mimicking others must surely go back a long way before written records. Criterion (i): The construction of theatres is a unique concept from an architectural and functional point of view, which has proved extremely influential through the ages, becoming the model for a multitude of corresponding structures down to the present day. The plays were judged on the day by a panel, and the prize for the winner of such competitions, besides honour and prestige, was often a bronze tripod cauldron.
It was the beginning of modern western theatre, and some ancient Greek plays are still performed today. An architrave with triglyphs and metopes crowned the colonnade. [16] An actor could appear and reappear in different roles, since the audience did not identify the actor with one character. Theater comes from a Greek word for viewing (the ceremonies). The chorus made up for the fact that there were only one, two or three actors, who played several parts each (changing masks). The curve followed the shape of the orchestra, so where the orchestra was rectangular, as the first may have been, the seats facing the front would be rectilinear as well, with curves to the side. This license lets others remix, tweak, and build upon this content non-commercially, as long as they credit the author and license their new creations under the identical terms. The monument is architecturally unique, due to the fact that the orchestra, cavea and staircases are drawn from three different centres, and also thanks to its excellent acoustics. In the 3rd c. AD mosaic flooring with geometric patterns replaced the wooden floor at the ends of the stage. It was divided in two Diazoma, the upper and the lower. After the Great Destruction of Athens by the Persian Empire in 480 BC,[9] the town and acropolis were rebuilt, and theatre became an even more major part of Athenian culture and civic pride. Worn by the chorus, the masks created a sense of unity and uniformity, while representing a multi-voiced persona or single organism and simultaneously encouraged interdependency and a heightened sensitivity between each individual of the group. Criterion (vi): It was in Greek theatres that the great plays of antiquity were first performed, including the tragedies of Aeschylus, Sophocles and Euripides and the comedies of Aristophanes, unsurpassed literary masterpieces that have influenced dramatic production worldwide and continue to inspire the world of the theatre to this day. It is one of the typical things they did in classical Greek theatre. Most of the remains preserved today belong to the monumental structuring of the theatre by the archon of Athens Lycourgos, in the second half of the 4th c. BC.

By Thespis' time, the dithyramb had evolved far away from its cult roots. One of the main writers of comedy plays in ancient Greece was Euripides. Finally, during the fourth building phase, the theatre was turned into an arena. The second phase of the show was the agon which was often a witty verbal contest or debate between the principal actors with fantastical plot elements and the fast changing of scenes which may have included some improvisation. The Ancient Theatre of Philippi in Northern Eastern Greece.
Today only the rock-cut parts of the theatre are preserved: the circular orchestra, the three central cunei of the upper cavea together with parts of the two cunei on either side, and the central section of the upper cavea. In many cases the play was actually named after the Chorus, e.g., Aristophanes' The Wasps. Three staircases led from the stage building to the logeion. It is telling that the ancient traveller Pausanias regards the theatre as one of the basic urban features of a Greek city, along with the agora, the gymnasium and the public administrative buildings, and an important element in recognising cities in the East as being Greek (Phocis, X 4.1.). Just behind the paraskenia was the proskenion ("in front of the scene"), which is similar to the modern day proscenium. At first the spectators were sitting around the orchestra. The theatre of Delos was built by the Delians with money from the treasury of the Temple of Apollo, using marble from a neighbouring quarry and local stone, and also marble imported from the islands of Paros and Tinos.

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