With all of its energy, Eternal Atake can still drag on after a while. It sounds like what it must feel like to peer through the plexiglass window of Uzi’s palatial rocket ship as it hurtles father and farther away from its origin planet. When Uzi says “Too much guap/bands bands,” my feet instinctively try to stomp according to an arrow pattern that doesn’t exist. Die Beats sind hektisch und austauschbar und raptechnisch kann ich mit luv auch nicht viel anfangen. Lil Uzi tanzt auf seinen Songs. 3/13/2020 by Michael Saponara.
On November 30, Lil Uzi tweeted that the single he is "going with" from Eternal Atake would be a "dance record" titled "Futsal"; it was released on December 13, 2019, as " Futsal Shuffle 2020 " and the album's first single. It started to feel real, even though there was no confirmed release date. Uzi delivered his rhymes with charisma, versatility, and a futuristic weirdness that combined with inventive production for a groundbreaking take on pop-ready trap.
Sei es der direkt funkende Einstieg auf "Lo Mein" oder der bebende Knock auf "Pop", das Album startet mit zwanzig Minuten Anarchie-Musik. The consensus belief was that Uzi would be dropping the album next week, but in a completely unexpected fashion (the most fitting way tbh) he tweeted a link to the project this morning. Dieser Kommentar wurde vor 6 Monaten durch den Autor entfernt. Where he'd gotten by on charm and a unique persona before, Uzi's technical prowess is sharpened on tracks like "Celebration Station" and the woozy, start-stop flows of "You Better Move."
It was one song in a handful of new Uzi loosies, but it would end up being a track that would change the course of rap.
“I'm sorry for everything I ever said / I'm sorry if you were misled / And I'm sorry if my words messed with your head,” he sings in the hook, before reminding himself that he can’t get romantically involved with a fan again and then, eventually, getting passive-aggressive: “I love when you give brain, I swear that's my only memory.” The spacey production keeps things sounding mellow, but Uzi is a mess of contradictions here — a more accurate representation of post-breakup misery than he could find on a lovelorn just-want-her-back cut.
Dennoch debütierte das neue Lil Uzi Vert-Projekt nun nach all der Zeit mit Pauken und Trompeten. “Lo Mein” is the second song on “Eternal Atake,” and features Lil Uzi rapping effortlessly on the track in his typical confident style. Besonders hart: Der Opener "Baby Pluto", auf dem bizarre, desorientierende Science-Ficiton-Synthesizer die klangliche Farbpalette vorankündigen. Das alles macht er auf einer Platte, die konzeptuell von einer Science-Fiction-Klangkulisse getragen und mit dem Eifer eines Sektierers gerappt wird. "Yu-Gi-Oh, Yu-Gi-Oh, you wanna duel?/ Blue-Eyes White Dragon, I can not loose" rappt er da auf dem selben Song, auf dem er sich einen Part vorher noch als "Mother Goose" der Szene bezeichnet hat. Es war offensichtlich, dass die Platte polarisieren würde. I think I speak for everyone when I say that an Uzi and Syd collab is exactly what the streets need right now.
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