Selected work includes Natasha, Pierre, & The Great Comet of 1812 (Broadway, Lortel Award, 2013 Hewes Design Award), John (Signature Theatre, 2016 Hewes Design Award), Appropriate (Mark Taper Forum, LA Drama Critics Circle Award), Preludes, The Oldest Boy (Lincoln Center), An Octoroon (Soho Rep/TFANA, Drama Desk and Lortel nominations), Black Mountain Songs (BAM Next Wave).
In projects that range from large regional theaters, to small experimental, hybrid pieces, to a performance in an 81-acre meadow, Lien is revitalizing the visual language of theater and enhancing the performance experience for theater-makers and viewers alike.
Her stage designs have been exhibited in the Prague Quadrennial in 2011 and 2015, and her sculptures were featured in the exhibition, LANDSCAPES OF QUARANTINE, at the Storefront for Art and Architecture. (2003) from New York University. Lien is also a 2015 recipient of a MacArthur Fellowship. For Natasha, Pierre, and the Great Comet of 1812 (2013), Lien designed a full-scale Tsarist Russian salon that summoned up the decadence of early nineteenth-century Moscow and the chaotic emotional lives of the Russian elite. She propelled the narrative action forward in An Octoroon (2014), as a series of cascading false walls enacted a sequence of startling set transformations.
Mimi Lien is a set designer for theater, opera, and dance whose bold, immersive designs shape and extend a dramatic text’s narrative and emotional dynamics. Mimi Lien is a designer of sets/environments for theater, dance, and opera.
2018 Bessie Award - Visual Design for MEMOIRS OF A UNICORN2017 TONY Award - Set Design for NATASHA, PIERRE & THE GREAT COMET OF 18122016 Hewes Design Award / American Theatre Wing - Set Design for JOHN2015 MacArthur Fellowship 2015 Lincoln Center Theater / Joan Cullman Award for Extraordinary Creativity - PRELUDES and THE OLDEST BOY2015 LA Drama Critics Circle Award - Distinguished Achievement in Set Design for APPROPRIATE2015 Drama Desk Award Nomination - Set Design for An Octoroon2014 Suzi Bass Award Nomination - Outstanding Scenic Design for Warrior Class2014 Hewes Design Award Nomination - An Octoroon and Stop Hitting Yourself2014 Lucille Lortel Award - Set Design for NATASHA, PIERRE & THE GREAT COMET OF 18122013 Hewes Design Award / American Theatre Wing - Set Design for NATASHA, PIERRE & THE GREAT COMET OF 18122013 Drama Desk Award Nomination - The Whale 2012 OBIE Award - Sustained Excellence in Set Design2012 Audelco Award Nomination - Milk Like Sugar2011 Bay Area Critics Circle Nomination - Strange Devices From the Distant West2010 Barrymore Award Nomination - Becky Shaw and Welcome to Yuba City2007 TCG/NEA Career Development Program 2008 Hewes Design Award Nomination - Queens Boulevard2008 Barrymore Award Nomination – Eurydice, Wilma Theater2007 Barrymore Award Nomination - Galileo2005 Barrymore Award - OUTRAGE.
Mimi Lien is a set designer for theater, opera, and dance whose bold, immersive designs shape and extend a dramatic text’s narrative and emotional dynamics. in Architecture from Yale University (1997) and an M.F.A. Her simple and stark set for Born Bad (2011)—brown shag carpet, worn wallpaper, and three wooden chairs on a platform that is overhung by a low ceiling—created a claustrophobic environment that heightened the play’s portrayal of family tensions. Mimi Lien (born 1975 or 1976) is an American set designer, best known for doing the scenic design of Natasha, Pierre, & The Great Comet of 1812. With surrealist touches such as a sloping floor and an aperture that opened and closed to create a sliver of light suggesting a tightrope, Lien brought to life the eeriness of Hades’ underworld in Eurydice (2008), while also evincing the devotion of Eurydice’s father as he constructs (onstage) a string room for her that is held aloft by helium balloons. Arriving at set design from a background in architecture, her work often focuses on the interaction between audience/environment and object/performer.
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Mimi Lien, Art Department: Oxygen. She is a company member of Pig Iron Theatre Company and co-founder of the performance space JACK. (1997) from Yale University and an M.F.A.
Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. In 2017, she received a Tony Award for her work with the Broadway production. Looking for some great streaming picks? Mimi Lien is known for her work on Oxygen (1999), Kill by Inches (1999) and The 71st Annual Tony Awards (2017).
For other works, Lien choreographs the movement of set pieces so that they become participants in the dramatic action. Visualize os perfis de pessoas chamadas Mimi Lien. High-resolution photos of MacArthur Fellows are available for download (right click and save), including use by media, in accordance with this copyright policy.
Participe do Facebook para se conectar com Mimi Lien e outros que você talvez conheça. She was recently named a 2015 MacArthur Fellow, and is the first set designer ever to achieve this distinction. Mimi Lien received a B.A.
3 NYC Theater-Makers Awarded ‘Genius Grant’, Playwright Adam Bock, Chairman Michael Feingold & More to Serve as Judges for 60th Annual Obie Awards. Bio; Resume; Contact; SELECTED WORK.
In sets for both large-scale immersive works and for more traditional proscenium stages, Lien envelops the audience in a specific mood or atmosphere. Cate Blanchett shares her list of films to inspire hope in support of the UN Refugee Agency to assist those without a place to call home amidst our global health crisis.
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Mimi Lien received a B.A. She is an artistic associate with Pig Iron Theatre Company and The Civilians and co-founder of the performance space JACK. Mimi Lien is a set designer for theater, opera, and dance whose bold, immersive designs shape and extend a dramatic text’s narrative and emotional dynamics. 2018 Broadway fall season preview of plays: Which will be remembered by the Tony Awards?
Mimi Lien.
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